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Multimedia, interviews, biographical resources, honors, publications, translations. He named me Lola Since there are three main characters Stephanie, Rachel and AlisonI planned to write a trilogy, giving each of the girls her own book. Zach – Question for your thoughts I like to listen to the songs that you are talking about while I’m reading, and often will listen to them again when you post new posts and reference an older song. “Just as Long as We’re Together”(For You, 1978)Amazon / Spotify / TIDAL. I find your blog utterly compelling, and filled with such interesting detail. and I can’t help but here 2 later tracks in the Prince catalog…and one that he wrote for another artist… “Glamorous Life”, “17 Days” AND even later “Sleep Around”. companion book to Here's To You, Rachel Robinson. Is it similar keys, chord sequences? So when Alison moves in, Stephanie likes Alison. A comprehensive list, annotated. So when Alison moves in, Stephanie hopes that the three of them can be best friends because Stephanie really likes Alison. Il 7" come B-side presenta la canzone In Love, estratta dallo stesso album. A personal view of the writing life. When I started to write the book Stephen was a student at Vassar College, Having lived through divorce myself, I know how hard it can be. So by the time I started I knew them well, or thought I did. In the end, Prince and American Artists met with five labels in L.A.: Warner, CBS, A&M, RSO (home of the Bee Gees), and ABC/Dunhill. Even in the original, four-minute version, the song has the feel of an extended cut, taking off from the Oberheim solo after the second verse for a contrasting bridge with more pronounced funk undertones, featuring Prince on clavinet, electric piano, synth, drums, and bass. A month later he got sick with leukemia. Finally, it) Alison's Story. The Klaff twins for Klaff's, a plumbing supply store; Alison Monceau for Parc Monceau, a french country furniture store (my favorite shop); and Alison's dog, Maizie, for the little dog who belonged to the owner of that shop. I "The story is lively, moves quickly, wish now I'd called the book: Just as Long as We're TogetherStephanie's I had no yellow because one night I sang that old Barry Manilow songthe one about Lola I met Stephen, the son of I can’t wait to read more. we resorted to singing old camp songs, trying to find a good title. And I kept saying that I wanted him to be his own producer, and everybody said, ‘Gosh, you’re crazy.’. Enter your email address to subscribe to this blog and receive notifications of new posts by email. feathers to enhance my performance so I used yellow flyswatters instead. Founder and editor, Dystopian Dance Party. The One in the Middle is the Green Kangaroo, Soupy Saturdays with the Pain & the Great One, Going, “And then I called A&M Records, ‘Listen, CBS and Warner Bros. are flying us out. friends, when he was a smart, funny twelve year old. He laughed about the subject matterthree girls in seventh “Glamorous Life” and “17 Days” are both so much catchier (I haven’t listened to “Sleep Around” in forever, but it probably is too). Since the second grade they have In this book Stephanie's parents are splitting up, though she doesn't want to admit it, not even to herself. In your new post about Sexy Dancer you reference this song being the “long” one on his debut album, so I came back and listened…. the showgirl, who wore yellow feathers in her hair. As mentioned above, however, simply listening to “Just as Long” and “Jelly Jam” wasn’t enough to convince prospective labels of Prince’s ability to self-produce. And that is where we’ll pick up, either Friday or early next week, with our next post. Music writing at Slant, Spectrum Culture, and elsewhere. Given the brief runtime and demonstrative nature of the track, it makes sense that it was eventually absorbed into “Just as Long”–literally, in fact, as the last two minutes of the second and third circulating versions of the latter sound to these ears like a literal copy-and-paste of the separate “Jelly Jam” take. Just as Long as We're Together è il secondo singolo del cantante e musicista statunitense Prince, pubblicato nel 1978 dalla Warner Bros. Records, e secondo estratto dall'album For You. It’s important to remember, as we noted last month, that self-producing artists were an anomaly in the industry at the time; this was the province of established studio wizards (Todd Rundgren) or megastars pursuing vanity projects (Paul McCartney), not unproven teenagers from flyover country. of very young teenagers.". The lyrics, on the other hand, seem designed to simply stay out of the way: a few of the lines showcase Prince’s coquettish charm–the aforementioned “I’ll get the music” come-on is especially memorable–but the majority can be predicted from the title and accompanying chorus, “Just as long as we’re together / Everything’s alright.” Indeed, Prince seemed to have taken little care in making sure his lyrics made cohesive sense; as biographer Matt Thorne pointed out, there’s a direct contradiction in tone between the first and second verses, with Prince “oscillating between singing about how he will allow his lover her freedom and wanting her near by” (Thorne 2016). The companion book to Here's To You, Rachel Robinson. with the Pain & the Great One. He’s 17 years of age. Its arrangement is busier than ever, with an even more breakneck tempo and enough layered keyboards, percussion, and backing vocals that one gets the impression Prince was trying to overwhelm the listener in a display of sheer maximalism. “We were supposed to say ‘wow!’” Husney recalled to Per Nilsen, but the musician-turned-manager “had worked around stars my whole life, and Prince was one of those guys who wasn’t really impressed with that kind of stuff.” Instead, the suggestion of White as a producer “destroyed the possibility of Prince going with CBS” (Nilsen 1999 32). Since the second grade they have shared all their secrets, good and bad. They felt that [Prince] was just a young kid who had to learn. Recovering academic. They still weren’t sold, and tried to sway Prince to their cause by hosting a luncheon with their choice of producer, Verdine White of Earth, Wind & Fire. In early April, 1977, Owen Husney and Gary Levinson flew with Prince to Los Angeles, armed with their new press kits and a fully-formed persona for their artist. Zach, I spent much of the last weekend reading here and now I’m all caught up. Read 618 reviews from the world's largest community for readers. or Fiend? He was But I cried, too. La canzone è stata registrata in varie sessioni da Prince e presenta sonorità tipiche della disco music. As Husney put it to biographer Dave Hill, “We wanted three albums, because it was gonna take that long for him to develop. Today, of course, the notion of Prince needing the bass player from Earth, Wind & Fire to help put a hit record together sounds patently ridiculous–a record business snafu right up there with the Beatles being rejected by Decca Records. It's Me, Margaret is funny. In fact, “Jelly Jam” actually predates “Just as Long,” dating back to Prince’s summer 1976 sessions at Moonsound (though the version currently circulating originates from Sound 80). Tensions within Just as Long as We’re Together come from two sources: the separation between Stephanie Hirsch’s parents and that between Stephanie and her best friend, Rachel Robinson. “Just as Long as We’re Together” is less a pop song in the conventional sense than it is a four-to-six-minute demo reel all its own: an unabashed showpiece for Prince’s abilities as a singer, instrumentalist, and hooksmith.
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